https://corinnaberndt.net corinna.berndt Tue, 08 Jun 2021 04:15:43 +0000 https://corinnaberndt.net en https://corinnaberndt.net/Home-Image-Scroll Thu, 18 Feb 2021 10:59:29 +0000 corinna.berndt https://corinnaberndt.net/Home-Image-Scroll <img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/f84d784a0497890b6f12f53d87971c49ff19d63c1212010bc4b54ffba5bc6df6/Verge2021JanSelects-0004.png" data-mid="99301649" border="0" src="https://freight.cargo.site/w/1000/i/f84d784a0497890b6f12f53d87971c49ff19d63c1212010bc4b54ffba5bc6df6/Verge2021JanSelects-0004.png" /> Corinna Berndt, “Not Born digital”, installation view,&nbsp;Verge Gallery, Sydney, 2021. Photography: Zan Wimberley <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/51e67f409f6a708181f5e889df866cadd77ad911fd98d8e92f0cbc02890073f7/Verge2021JanSelects-0018.jpg" data-mid="110683439" border="0" src="https://freight.cargo.site/w/1000/i/51e67f409f6a708181f5e889df866cadd77ad911fd98d8e92f0cbc02890073f7/Verge2021JanSelects-0018.jpg" /> <img width="2000" height="1331" width_o="2000" height_o="1331" data-src="https://freight.cargo.site/t/original/i/f138eb950c9bfd7ff6fc6fee76a7fedecf88c6af210b9197606045c08dd1af07/Verge2021JanSelects-0005.jpg" data-mid="110683438" border="0" src="https://freight.cargo.site/w/1000/i/f138eb950c9bfd7ff6fc6fee76a7fedecf88c6af210b9197606045c08dd1af07/Verge2021JanSelects-0005.jpg" /> Corinna Berndt, “Not Born digital”, installation view, Verge Gallery, Sydney, 2021. Photography: Zan Wimberley <img width="800" height="599" width_o="800" height_o="599" data-src="https://freight.cargo.site/t/original/i/32c4d505eb6d73ca3734bb81b3134bf6b68e4f6f8a9be7fea2da2169b1dcb820/horse-legs.gif" data-mid="99301439" border="0" data-scale="100" src="https://freight.cargo.site/w/800/i/32c4d505eb6d73ca3734bb81b3134bf6b68e4f6f8a9be7fea2da2169b1dcb820/horse-legs.gif" />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Corinna Berndt, detail from “All My Chameleon Signals”, interactive digital work of&nbsp;3D-scanned personal items, 2019 <img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/63c7807d151b63fb8d3554cc5d4bc6c871afdf936d6992e60eedd7115dcba3f9/Verge2021JanSelects-0024.png" data-mid="110683449" border="0" src="https://freight.cargo.site/w/1000/i/63c7807d151b63fb8d3554cc5d4bc6c871afdf936d6992e60eedd7115dcba3f9/Verge2021JanSelects-0024.png" /> Corinna Berndt, “Remnants of Gravity”, bronze, air drying clay, dimensions variable, 2020. Verge Gallery, Sydney.&nbsp;Photography: Zan Wimberley <img width="2845" height="1600" width_o="2845" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6b454eaa9d7dcb22a3f1a5ff108c5a6f4a0f3163fc5a72e871cd9f13336d2dc2/all-my-chameleon-signals-01-2.png" data-mid="99301596" border="0" src="https://freight.cargo.site/w/1000/i/6b454eaa9d7dcb22a3f1a5ff108c5a6f4a0f3163fc5a72e871cd9f13336d2dc2/all-my-chameleon-signals-01-2.png" /> Corinna Berndt,&nbsp;“All My Chameleon Signals”, interactive digital work of 3D scanned personal items, 2019 – ongoing.&nbsp;*Collaborative text, written with Cynthia Arrieu-King and an artificial neural network <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/154609b8f50a3954cf8457bf9da927199192123e2876668f23ca3cd3ba00c7bb/Bus-Projects---22.06.2021-17.07.2021-171.jpg" data-mid="112886993" border="0" src="https://freight.cargo.site/w/1000/i/154609b8f50a3954cf8457bf9da927199192123e2876668f23ca3cd3ba00c7bb/Bus-Projects---22.06.2021-17.07.2021-171.jpg" /> Corinna Berndt, “All My Chameleon Signals”, interactive digital work of 3D scanned personal items, 2019 – ongoing. *Collaborative text, written with Cynthia Arrieu-King and an artificial neural network. Installation view, Bus Projects, Melbourne, 2021, photography by Christo Crocker. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6eef75703ec841156b7e90bad3863ff216b60296395956cb4a3e89a09d32f0db/Verge2021JanSelects-0035.jpg" data-mid="110683448" border="0" src="https://freight.cargo.site/w/1000/i/6eef75703ec841156b7e90bad3863ff216b60296395956cb4a3e89a09d32f0db/Verge2021JanSelects-0035.jpg" />Corinna Berndt, “Remnants of Gravity”, bronze, air drying clay, dimensions variable, 2020. Verge Gallery, Sydney.&nbsp;Photography: Zan Wimberley <img width="2000" height="1397" width_o="2000" height_o="1397" data-src="https://freight.cargo.site/t/original/i/43c45814a49a0a6420ed177f921f8a886ef79a814ff733db7ee91d5517da9a11/Corinna-Berndt-wall1-no-bleed.jpg" data-mid="110683436" border="0" src="https://freight.cargo.site/w/1000/i/43c45814a49a0a6420ed177f921f8a886ef79a814ff733db7ee91d5517da9a11/Corinna-Berndt-wall1-no-bleed.jpg" />Corinna Berndt, “Text(ure) Map”, digital collage, dimensions variable, 2020.&nbsp; <img width="2000" height="1343" width_o="2000" height_o="1343" data-src="https://freight.cargo.site/t/original/i/5d412217a68807d851d333ce7277c8f17f05154d07c90ce9cc08d54c2ac579c9/Screen-Shot-2021-02-11-at-11.52.37-am.jpg" data-mid="110683488" border="0" src="https://freight.cargo.site/w/1000/i/5d412217a68807d851d333ce7277c8f17f05154d07c90ce9cc08d54c2ac579c9/Screen-Shot-2021-02-11-at-11.52.37-am.jpg" /> <img width="2000" height="1338" width_o="2000" height_o="1338" data-src="https://freight.cargo.site/t/original/i/8f5b507b5397b7431997b9e74e00326c46b1c0663fa4cc77fe7c090ba42b7744/Screen-Shot-2021-02-11-at-11.53.27-am.jpg" data-mid="110683491" border="0" src="https://freight.cargo.site/w/1000/i/8f5b507b5397b7431997b9e74e00326c46b1c0663fa4cc77fe7c090ba42b7744/Screen-Shot-2021-02-11-at-11.53.27-am.jpg" /> Corinna Berndt, “Streaming Data”, installation View, SomoS, Berlin, August 2019. Photo by Zack X Soltes <img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/266cd1ab0426599c697d178bf7023eba392e5523efc5ce07ca9aff4231e6958c/Corinna_Berndt_fossil_structures_2019_photo_Andrew_curtis.jpg" data-mid="110682918" border="0" src="https://freight.cargo.site/w/1000/i/266cd1ab0426599c697d178bf7023eba392e5523efc5ce07ca9aff4231e6958c/Corinna_Berndt_fossil_structures_2019_photo_Andrew_curtis.jpg" /> Corinna Berndt, Promises of Cyborgs, installation view, VCA Art Space, Melbourne, &nbsp;2019. Photo: Andrew Curtis <img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/7ddeb6c38f94fda342b8aaf3bba252f9222d47563dba83155f0b5ba768ce435a/Corinna_Berndt_Installation_View_photo_Andrew_Curtis.jpg" data-mid="110682921" border="0" src="https://freight.cargo.site/w/1000/i/7ddeb6c38f94fda342b8aaf3bba252f9222d47563dba83155f0b5ba768ce435a/Corinna_Berndt_Installation_View_photo_Andrew_Curtis.jpg" /> Corinna Berndt, Promises of Cyborgs, installation view, VCA Art Space, Melbourne, &nbsp;2019. Photo: Andrew Curtis <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6d7f03d52cbbc7a93408ebd4270f4442fc4bf270d26d8aded33a1d9d25bb138a/9.jpg" data-mid="110682901" border="0" src="https://freight.cargo.site/w/1000/i/6d7f03d52cbbc7a93408ebd4270f4442fc4bf270d26d8aded33a1d9d25bb138a/9.jpg" /> Corinna Berndt, digital collage, dimensions variable, 2019.&nbsp; <img width="2000" height="1112" width_o="2000" height_o="1112" data-src="https://freight.cargo.site/t/original/i/ce3937d70ba4e04259f37604098ab34bb1060e1ee0715372f34882493c96df02/corinna-berndt-promo_web.jpg" data-mid="110682923" border="0" src="https://freight.cargo.site/w/1000/i/ce3937d70ba4e04259f37604098ab34bb1060e1ee0715372f34882493c96df02/corinna-berndt-promo_web.jpg" /> Corinna Berndt, “Digital collage all the photos found on my mobile phone”, dimensions variable, 2019.&nbsp; <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f3dd50089cc8d765cdf7e8800576e314e83f36c4bcffa8c6485205aeb8ddec43/collision-level-install-shota.jpg" data-mid="110682913" border="0" src="https://freight.cargo.site/w/1000/i/f3dd50089cc8d765cdf7e8800576e314e83f36c4bcffa8c6485205aeb8ddec43/collision-level-install-shota.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/b025d0acac0010ce14cf4d2534b5bff3cabe370f6436185f4a25cd2b318a36f2/_AC_5616.jpg" data-mid="110682904" border="0" src="https://freight.cargo.site/w/1000/i/b025d0acac0010ce14cf4d2534b5bff3cabe370f6436185f4a25cd2b318a36f2/_AC_5616.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/080164659aff93bf4e02cf0bbdba3520315cea84fb3bf72a4d0e606a79b1a78c/screen.jpg" data-mid="99301795" border="0" src="https://freight.cargo.site/w/1000/i/080164659aff93bf4e02cf0bbdba3520315cea84fb3bf72a4d0e606a79b1a78c/screen.jpg" /> Corinna Berndt, ‘Collision Level’, installation view, St Helliers St Gallery, 2019. Photo: Andrew Curtis <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/ed6ae1c9e08bc3c750c6bf985cbed8f14fbea50ecf3718664f36a520640395b3/_AC_5612.jpg" data-mid="110682900" border="0" src="https://freight.cargo.site/w/1000/i/ed6ae1c9e08bc3c750c6bf985cbed8f14fbea50ecf3718664f36a520640395b3/_AC_5612.jpg" /> Corinna Berndt, ‘Collision Level’, installation view, St Helliers St Gallery, 2019. Photo: Andrew Curtis <img width="3150" height="2100" width_o="3150" height_o="2100" data-src="https://freight.cargo.site/t/original/i/926cb3a11123a61890595adf5034be752ff79501f7c312cff59d402dcbb634ff/coinna-berndt.jpg" data-mid="110682966" border="0" src="https://freight.cargo.site/w/1000/i/926cb3a11123a61890595adf5034be752ff79501f7c312cff59d402dcbb634ff/coinna-berndt.jpg" /> Corinna Berndt (left) with Youjia Lu (right) and Kellie WellsTravelling the Alpha Layer, Counihan Gallery, Bunswick, 2018. Photo: Documentor.com.au&nbsp; <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/772c21e06f27e59e3232d53fe8bb86c7695b87290c11e3b596dba12aa3615758/Screenshot-2019-06-09-13.46.44.jpg" data-mid="110682977" border="0" src="https://freight.cargo.site/w/1000/i/772c21e06f27e59e3232d53fe8bb86c7695b87290c11e3b596dba12aa3615758/Screenshot-2019-06-09-13.46.44.jpg" /> <img width="2000" height="1117" width_o="2000" height_o="1117" data-src="https://freight.cargo.site/t/original/i/a5840a42536a85960398cc2d3ecc30874d6e19988f795d95bedf8d1207809da9/curtain.jpg" data-mid="110682967" border="0" src="https://freight.cargo.site/w/1000/i/a5840a42536a85960398cc2d3ecc30874d6e19988f795d95bedf8d1207809da9/curtain.jpg" /> <img width="2000" height="1116" width_o="2000" height_o="1116" data-src="https://freight.cargo.site/t/original/i/620122f634389fc4fd5928c957e44c8ea817681d8feb43118b51f3b713a1dbee/Screen-Shot-2021-06-08-at-10.43.38-am.jpg" data-mid="110682932" border="0" src="https://freight.cargo.site/w/1000/i/620122f634389fc4fd5928c957e44c8ea817681d8feb43118b51f3b713a1dbee/Screen-Shot-2021-06-08-at-10.43.38-am.jpg" /> <img width="2000" height="1113" width_o="2000" height_o="1113" data-src="https://freight.cargo.site/t/original/i/268eff6f597b6e426b928ca11a3ed2309585ff204001c24e9bef12f94950e921/foam.jpg" data-mid="110682963" border="0" src="https://freight.cargo.site/w/1000/i/268eff6f597b6e426b928ca11a3ed2309585ff204001c24e9bef12f94950e921/foam.jpg" /> Corinna Berndt, selected&nbsp;video&nbsp;stills, 2016 <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/52d5165f7790bdf946604598d400f69b5203ee029073c95cfb6996b6248b1347/Corinna_Berndt-margaret-lawrence-2.jpg" data-mid="110682959" border="0" src="https://freight.cargo.site/w/1000/i/52d5165f7790bdf946604598d400f69b5203ee029073c95cfb6996b6248b1347/Corinna_Berndt-margaret-lawrence-2.jpg" /> Corinna Berndt, Re-imagining the Screen Space, installation view, Margaret Lawrence Gallery, Southbank, 2016. Photo: Drew Echberg&nbsp; <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/68f35ba3366851067172abf1bccd5c9dcbdf1a4c453658f5b0932f45f694c8be/MCA_ARTBAR_VIVID-111-Recovered.jpg" data-mid="110682971" border="0" src="https://freight.cargo.site/w/1000/i/68f35ba3366851067172abf1bccd5c9dcbdf1a4c453658f5b0932f45f694c8be/MCA_ARTBAR_VIVID-111-Recovered.jpg" /> Corinna Berndt,&nbsp;Parts and Movement MCA ARTBAR 26th of May 2017, Museum of Contemporary Art, Sydney, curated by Julia Gorman, Photographer Sam Whiteside. <img width="2000" height="1124" width_o="2000" height_o="1124" data-src="https://freight.cargo.site/t/original/i/b8836ea7b296f7f3763df82fa8a55e90308f9b61a96dac4cddfb7b1e206c0475/screenshot3.jpg" data-mid="110683520" border="0" src="https://freight.cargo.site/w/1000/i/b8836ea7b296f7f3763df82fa8a55e90308f9b61a96dac4cddfb7b1e206c0475/screenshot3.jpg" /> <img width="1400" height="787" width_o="1400" height_o="787" data-src="https://freight.cargo.site/t/original/i/bd028956fb9725abf28bb101edaa911a0dd7949402925d106eb36f9292d1c2bc/screenshot5.jpg" data-mid="110683521" border="0" src="https://freight.cargo.site/w/1000/i/bd028956fb9725abf28bb101edaa911a0dd7949402925d106eb36f9292d1c2bc/screenshot5.jpg" /> Corinna Berndt, Assembling Physical Body, video still, 2013, with Rebecca Jensen. <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5853e7c376065693c9a03b02291561b43c35faddca533e9c911b6592f940e3a2/operation-margarine.jpg" data-mid="110683518" border="0" src="https://freight.cargo.site/w/1000/i/5853e7c376065693c9a03b02291561b43c35faddca533e9c911b6592f940e3a2/operation-margarine.jpg" />Corinna Berndt and Michael Ciavarella, Operation Margarine, installation view, Westspace, Melbourne, 2012. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Next&nbsp;︎︎︎ ︎︎ https://corinnaberndt.net/Info Thu, 18 Feb 2021 10:59:30 +0000 corinna.berndt https://corinnaberndt.net/Info <img width="2048" height="1153" width_o="2048" height_o="1153" data-src="https://freight.cargo.site/t/original/i/1e6789b5f2f890bfb1fd39a636e2221842f355e7c04983846439e0766bb7cd86/69411642_1631816823617729_4763308358365085696_n.jpg" data-mid="222857071" border="0" src="https://freight.cargo.site/w/1000/i/1e6789b5f2f890bfb1fd39a636e2221842f355e7c04983846439e0766bb7cd86/69411642_1631816823617729_4763308358365085696_n.jpg" /> Corinna Berndt&nbsp;is a visual artist, arts worker and educator who lives and works in Naarm / Melbourne, on unceded Wurundjeri Country. Incorporating digital media, collage, poetry and sculpture, her work contemplates the personal and poetic relationships that emerge when objects and technologies are embedded in complex systems of discourse.&nbsp;Corinna recently completed a PhD at the Victorian College of the Arts where she also works as a sessional academic. She is actively engaged in supporting local emerging artists and artist-run initiatives. Exhibitions and projects include: Luminous Devices, Mars Gallery, 2024,&nbsp;DataCosmics, Fiona &amp; Sidney Myer Gallery, 2023, Melbourne, Australia,&nbsp;All my Chameleon Signals, Bus Projects, 2022, Melbourne, Australia‘Not born digital’, Verge Gallery, Sydney, 2021; ‘Streaming data is the ultimate trust exercise with the moon’&nbsp;Somos Arts House, Berlin, 2019; ‘Topographic Resolutions II’, Kuiper Projects’, Brisbane, (curated by Kyle Wise 2019); ‘Our Selves’, Ctrl+Shft Collective, Oakland, USA (curated by Frances Fleetwood, 2017); ‘Elapse’ Rosney Schoolhouse Gallery, as part of Hobienniale 2017, Hobart, (curated by Kings Ari);MCA ARTBAR, Museum of Contemporary Art Australia, Sydney (curated by Julia Gorman, 2017); ‘Traveling the Alpha Layer’, with Youjia Lu and Kellie Wells, Counihan Gallery, Brunswick, Melbourne (2018), ‘Five Cents Cinema’Melbourne Fringe Festival, Melbourne Town Hall (curated by Paula van Beek, 2016) Image credit: Somos Artshouse, Berlin, Germany Next ︎︎︎ ︎︎ https://corinnaberndt.net/Screen-Space Thu, 18 Feb 2021 10:59:31 +0000 corinna.berndt https://corinnaberndt.net/Screen-Space Screen Space&nbsp;︎︎︎ Image Space &nbsp; <img width="1400" height="787" width_o="1400" height_o="787" data-src="https://freight.cargo.site/t/original/i/bd028956fb9725abf28bb101edaa911a0dd7949402925d106eb36f9292d1c2bc/screenshot5.jpg" data-mid="110694295" border="0" src="https://freight.cargo.site/w/1000/i/bd028956fb9725abf28bb101edaa911a0dd7949402925d106eb36f9292d1c2bc/screenshot5.jpg" /> Corinna Berndt, Assembling Physical Body, video still, 2013, with Rebecca Jensen. “The World is large, but in us it is deep as the sea”1 "Can depths, the interior, the subjective, and the private … be seen in terms of surfaces, bodies, and material relations?"2 The quotes above suggest a spatial dichotomy relating to interior perception and the expression thereof. Rilke’s poem contemplates the depth and multi-layered richness of experiencing one’s surroundings intertwined with interior perception. Interiority is constituted not only by visual and cognitive processing of vast amounts of information, it also implies a multi-sensory perception, involving the entire body as a filter. If one could pictorialise interior depth through the relationships the body produces with other bodies, materials and surfaces in space, the image might be that of an ever-changing choreography of multiple, non-linear connections among dynamic, unfixed elements: a moving image of a body interacting on an ever-changing picture plane. The works featured below investigate the image space of digital video as an unfixed space of convergence. The resulting works contemplate the digital screen space as a paradoxical space, simultaneously flat and deep, and capable of holding on its surface a multi-layered, tactile world, expressive of both physical appearances and the abstract poetic depths of the imagination. Between 2015-2017, I investigated the image space and blue screen technology through a phenomenological framework, centred around concepts of embodiment and the imagination. In the context of this project, I considered the imagination as part of the invisible, lived dimension of the body, responding to the affective qualities of everyday experiences. Viewed in that manner, the imagination is linked to the concept of the creative body and its “capacity of going beyond created structures in order to create others.”3&nbsp;In my practice, the imagination continually re-emerges through my intuitive, playful improvisations with materials and the digital medium. Through a process-based and speculative approach, I improvised performances with objects, which I further explored through the medium of digital video, and which formed the basis of my MFA dissertation. Video is a medium of multiplicity. Its history encompasses multiple processes and theories. Through the advance in digital imaging technologies, video has become increasingly hybrid in its form. Considering its complexity, American art theorist Rosalind Krauss associates video with discursive chaos, describing it as a medium that has no unifying core and that is defined through its inherent multiplicity. Video thus also presents itself as an open-ended medium for phenomenological investigations between the body and technology. Working predominantly with blue screen technology, this project examined the screen space and the body in video, specifically through digital compositing techniques. Blue screen technology produces areas of transparencies in the image space, which can be filled with other moving and still images. In this manner, blue screen technology suggests the potential for indefinite construction and re-imagining of the screen space as a tactile surface. Recording my body in a blue screen studio therefore also&nbsp;generated possibilities for producing multi-sensory interactions with digital moving image technologies. 1 Rainer Maria Rilke, quoted in Gaston Bachelard and M. Jolas, The Poetics of Space (Boston:Beacon Press, 1994), 183. 2 Elizabeth Grosz, Volatile Bodies : Toward a Corporeal Feminism, Theories of Representation and Difference&nbsp;(Bloomington, Ind. : Indiana University Press, 1994), 160. 3 Maurice Merleau-ˇPonty, The Structure of Behavior (Boston : Beacon Press, 1963), 175. <img width="2000" height="1116" width_o="2000" height_o="1116" data-src="https://freight.cargo.site/t/original/i/620122f634389fc4fd5928c957e44c8ea817681d8feb43118b51f3b713a1dbee/Screen-Shot-2021-06-08-at-10.43.38-am.jpg" data-mid="110829884" border="0" src="https://freight.cargo.site/w/1000/i/620122f634389fc4fd5928c957e44c8ea817681d8feb43118b51f3b713a1dbee/Screen-Shot-2021-06-08-at-10.43.38-am.jpg" /> <img width="2000" height="1117" width_o="2000" height_o="1117" data-src="https://freight.cargo.site/t/original/i/a5840a42536a85960398cc2d3ecc30874d6e19988f795d95bedf8d1207809da9/curtain.jpg" data-mid="110693682" border="0" src="https://freight.cargo.site/w/1000/i/a5840a42536a85960398cc2d3ecc30874d6e19988f795d95bedf8d1207809da9/curtain.jpg" /> <img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/0a47c19ba9d94da95192fb7e06931d94404ecaf348522ed73a687438ebb5bddb/Screenshot-2019-06-09-13.46.44.jpg" data-mid="110830074" border="0" src="https://freight.cargo.site/w/1000/i/0a47c19ba9d94da95192fb7e06931d94404ecaf348522ed73a687438ebb5bddb/Screenshot-2019-06-09-13.46.44.jpg" /> <img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/6ab38cdbe22b43fbe8cd287f633be1f6dcfa106c0fdb311681742b99b16926b4/Screenshot-2019-06-09-13.55.27.jpg" data-mid="110830071" border="0" src="https://freight.cargo.site/w/1000/i/6ab38cdbe22b43fbe8cd287f633be1f6dcfa106c0fdb311681742b99b16926b4/Screenshot-2019-06-09-13.55.27.jpg" /> Corinna Berndt, selected video &nbsp;stills, 2016 <img width="1200" height="823" width_o="1200" height_o="823" data-src="https://freight.cargo.site/t/original/i/d747df56b38740830c10aa66b3f5791f00e6f5a03c8668fc7e0a832d397f1040/MIM_0118.AlphaLayer_054.jpg" data-mid="110826338" border="0" src="https://freight.cargo.site/w/1000/i/d747df56b38740830c10aa66b3f5791f00e6f5a03c8668fc7e0a832d397f1040/MIM_0118.AlphaLayer_054.jpg" /> Corinna Berndt, Hinged Position, video&nbsp;still, installation view, Counihan Gallery, Brunswick, 2016. Photo: Documentor.com.au <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/329ca5082f030f6f5198266202aa9e07846280c289744e2c1861fd5d6cd8ff05/Corinna_Berndt-2.jpg" data-mid="110694362" border="0" src="https://freight.cargo.site/w/1000/i/329ca5082f030f6f5198266202aa9e07846280c289744e2c1861fd5d6cd8ff05/Corinna_Berndt-2.jpg" /> Corinna Berndt, Re-imagining the Screen Space, installation view, Margaret Lawrence Gallery, Southbank, 2016. Photo: Drew Echberg <img width="1200" height="673" width_o="1200" height_o="673" data-src="https://freight.cargo.site/t/original/i/a7c0fda62219f9662a870fc590e4a4fde8b66c40e14ef865e28a3cd336c58ca6/movement-and-layers.jpg" data-mid="110694568" border="0" src="https://freight.cargo.site/w/1000/i/a7c0fda62219f9662a870fc590e4a4fde8b66c40e14ef865e28a3cd336c58ca6/movement-and-layers.jpg" /> Corinna Berndt, Parts and Movement, video still, 2017&nbsp; <img width="1200" height="668" width_o="1200" height_o="668" data-src="https://freight.cargo.site/t/original/i/ff178a05d93d0479ecc8f7d7cb8011200b039d3ce20bfd62f484382349a167ad/foam.jpg" data-mid="110694689" border="0" src="https://freight.cargo.site/w/1000/i/ff178a05d93d0479ecc8f7d7cb8011200b039d3ce20bfd62f484382349a167ad/foam.jpg" /> Corinna Berndt, Tactility Project, video still. 2016 Corinna Berndt, Screen Saver, 2017, single channel video, 8:32 Corinna Berndt, Green Park Landscape, 2016, single-channel video sculpture, 11:13 Corinna Berndt, Hands, single channel video still, 2015, 2:51 <img width="2048" height="1421" width_o="2048" height_o="1421" data-src="https://freight.cargo.site/t/original/i/73c087f3ef6c5c49f983415a4d2d66c502d35b038fc3b25cf72dfb0889971ffa/corinna-berndt-1a.jpg" data-mid="110831363" border="0" src="https://freight.cargo.site/w/1000/i/73c087f3ef6c5c49f983415a4d2d66c502d35b038fc3b25cf72dfb0889971ffa/corinna-berndt-1a.jpg" /> Corinna Berndt, exhibition documentation, Invisible Vision &amp; Superimposed Rhubarb, Kings Ari, Melbourne, 2017. Corinna Berndt, exhibition documentation,&nbsp;Invisible Vision &amp; Superimposed Rhubarb, Kings Ari, Melbourne, 2017. Corinna Berndt,&nbsp; Invisible Vision &amp; Superimposed Rhubarb, 2017. Next ︎︎︎ ︎︎ https://corinnaberndt.net/Contact Tue, 08 Jun 2021 04:15:43 +0000 corinna.berndt https://corinnaberndt.net/Contact <img width="2268" height="4032" width_o="2268" height_o="4032" data-src="https://freight.cargo.site/t/original/i/f68859177c39c83d175d4516bb58e5eabfcd5efe9c59fd1272b65722acc9e586/hearbeat.gif" data-mid="110689607" border="0" data-scale="36" src="https://freight.cargo.site/w/1000/i/f68859177c39c83d175d4516bb58e5eabfcd5efe9c59fd1272b65722acc9e586/hearbeat.gif" /> ︎︎ corinna.berndt[at]gmail.com https://corinnaberndt.net/Digital-Material-Loop Thu, 18 Feb 2021 10:59:30 +0000 corinna.berndt https://corinnaberndt.net/Digital-Material-Loop Digital-Material-Loop <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b8754c1cb952fc84f1db75836bf69854c89070c5e66b0b8bd939bd9c93afb677/Documentations-7.jpg" data-mid="222855809" border="0" src="https://freight.cargo.site/w/1000/i/b8754c1cb952fc84f1db75836bf69854c89070c5e66b0b8bd939bd9c93afb677/Documentations-7.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/cd865608f8cff9e8a2a761c41232b1d2a68586950712b621a6e48499be58316f/_AC_1958.jpg" data-mid="222773299" border="0" src="https://freight.cargo.site/w/1000/i/cd865608f8cff9e8a2a761c41232b1d2a68586950712b621a6e48499be58316f/_AC_1958.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/fb3e25b553ddc943ce6659cb37197a7b421cae365a6237ccb1af90efcf0b6f0e/Documentations-2.jpg" data-mid="222855804" border="0" src="https://freight.cargo.site/w/1000/i/fb3e25b553ddc943ce6659cb37197a7b421cae365a6237ccb1af90efcf0b6f0e/Documentations-2.jpg" /> Carrier Bags of Fiction, 2024, Hair ARI, installation view <img width="1613" height="1076" width_o="1613" height_o="1076" data-src="https://freight.cargo.site/t/original/i/13d92cf9140e24382074e3571b362d815d63a64b055d35a51e8b4349e91dffa8/_AC_1995.jpg" data-mid="222855827" border="0" src="https://freight.cargo.site/w/1000/i/13d92cf9140e24382074e3571b362d815d63a64b055d35a51e8b4349e91dffa8/_AC_1995.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a10491675211de086f14605b4d9720900b02a19a767f38595b71d321ba21d549/_AC_1996.jpg" data-mid="222773302" border="0" src="https://freight.cargo.site/w/1000/i/a10491675211de086f14605b4d9720900b02a19a767f38595b71d321ba21d549/_AC_1996.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, Installation view. <img width="983" height="1474" width_o="983" height_o="1474" data-src="https://freight.cargo.site/t/original/i/c3096c98256775d86ee9e11d8ec162249bb2762209f0d7950e999aff4ad98bea/_AC_1940.jpg" data-mid="222856049" border="0" src="https://freight.cargo.site/w/983/i/c3096c98256775d86ee9e11d8ec162249bb2762209f0d7950e999aff4ad98bea/_AC_1940.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/095eb26d77cc81321c4868627e6eb44a78e454dc371cf9b97c2b242fd31a0ce6/_AC_2063.jpg" data-mid="222773305" border="0" src="https://freight.cargo.site/w/800/i/095eb26d77cc81321c4868627e6eb44a78e454dc371cf9b97c2b242fd31a0ce6/_AC_2063.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d4ba9266d5833eb8b18fa4896875ce80be4f7a954008b1ad323629173dc4c3c9/_AC_2056.jpg" data-mid="222773304" border="0" src="https://freight.cargo.site/w/800/i/d4ba9266d5833eb8b18fa4896875ce80be4f7a954008b1ad323629173dc4c3c9/_AC_2056.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3d826bbac6ee811478e9ad6a8ca978257fcc3e6b81221c3c7f8a4aebb0d227e5/_AC_2164.jpg" data-mid="222773310" border="0" src="https://freight.cargo.site/w/800/i/3d826bbac6ee811478e9ad6a8ca978257fcc3e6b81221c3c7f8a4aebb0d227e5/_AC_2164.jpg" /> <img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ea47600c907b1585ebd40bc90e3157b95684daa66a6a8de07bbd041f4e56fdb7/_AC_2530.jpg" data-mid="222773318" border="0" src="https://freight.cargo.site/w/800/i/ea47600c907b1585ebd40bc90e3157b95684daa66a6a8de07bbd041f4e56fdb7/_AC_2530.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, Installation view. <img width="2845" height="1600" width_o="2845" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6b454eaa9d7dcb22a3f1a5ff108c5a6f4a0f3163fc5a72e871cd9f13336d2dc2/all-my-chameleon-signals-01-2.png" data-mid="110692573" border="0" src="https://freight.cargo.site/w/1000/i/6b454eaa9d7dcb22a3f1a5ff108c5a6f4a0f3163fc5a72e871cd9f13336d2dc2/all-my-chameleon-signals-01-2.png" /> Corinna Berndt, “All My Chameleon Signals”, interactive digital work of 3D scanned personal items, 2019 – ongoing. *Collaborative text, written with American poet and academic, Cynthia Arrieu-King, and an artificial neural network ︎View a screen capture section of the work here ︎view text format hereBetween 2019-2021, I recorded approximately 300 personal objects via a mobile phone photogrammetry app. The objects in the archive might seem familiar, yet the descriptions and quotes attributed to them confuse this familiarity and therefore our understanding of the object’s meaning. This also shows a disruption in translation factoring into narratives around the archived object.&nbsp; <img width="3359" height="2240" width_o="3359" height_o="2240" data-src="https://freight.cargo.site/t/original/i/59a20e46fe181619893117ab7783d435c294677fa06610b264bcbc4b79e91e4e/_AC_4837.jpg" data-mid="225813942" border="0" src="https://freight.cargo.site/w/1000/i/59a20e46fe181619893117ab7783d435c294677fa06610b264bcbc4b79e91e4e/_AC_4837.jpg" /> <img width="3359" height="2240" width_o="3359" height_o="2240" data-src="https://freight.cargo.site/t/original/i/40160663b9db3dca0bf79836164778d326e8eb198653e852159df6b82b83c65d/_AC_4895.jpg" data-mid="225813937" border="0" src="https://freight.cargo.site/w/1000/i/40160663b9db3dca0bf79836164778d326e8eb198653e852159df6b82b83c65d/_AC_4895.jpg" /> Luminous Devices, 2024, Mars Gallery, installation view <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/45f2cb1040e3488e83d82e6ff54ae2965ad965fad2b4143e939c1f3bb4dc0ded/Documentations-8.jpg" data-mid="222855810" border="0" src="https://freight.cargo.site/w/1000/i/45f2cb1040e3488e83d82e6ff54ae2965ad965fad2b4143e939c1f3bb4dc0ded/Documentations-8.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/e5d950d21741062300a57fa2d6c803c4322453b1d105804e4dcaf3e7df8014d9/Documentations-5.jpg" data-mid="222855807" border="0" src="https://freight.cargo.site/w/1000/i/e5d950d21741062300a57fa2d6c803c4322453b1d105804e4dcaf3e7df8014d9/Documentations-5.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/c17e67a98844a22b676c700eb00aabd2044cf625b8ce264bb1f2f1b53ebe54b1/Documentations-6.jpg" data-mid="222855808" border="0" src="https://freight.cargo.site/w/1000/i/c17e67a98844a22b676c700eb00aabd2044cf625b8ce264bb1f2f1b53ebe54b1/Documentations-6.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/1a8a7e6214db21cab8000f8664210a8a50523b196300db18248e459731609aee/Documentations-12.jpg" data-mid="222855814" border="0" src="https://freight.cargo.site/w/1000/i/1a8a7e6214db21cab8000f8664210a8a50523b196300db18248e459731609aee/Documentations-12.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a9cc29e5cecdad892c6233e08765a026f2a8df8d5cf1afd26e73197bd1705add/Documentations-18.jpg" data-mid="222855820" border="0" src="https://freight.cargo.site/w/1000/i/a9cc29e5cecdad892c6233e08765a026f2a8df8d5cf1afd26e73197bd1705add/Documentations-18.jpg" /> Carrier Bags of Fiction, 2024, Hair ARI, installation view <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/7529a769df388c500ad5772e130c8a2663c9e76e14019f0f35bc2499f3eb87d6/_AC_2072.jpg" data-mid="222773306" border="0" src="https://freight.cargo.site/w/1000/i/7529a769df388c500ad5772e130c8a2663c9e76e14019f0f35bc2499f3eb87d6/_AC_2072.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/74c4dbe32afdef8358ffb48ed8c267ea58cfbf1ee7533c1be557523e3e04b431/_AC_1962.jpg" data-mid="222773300" border="0" src="https://freight.cargo.site/w/1000/i/74c4dbe32afdef8358ffb48ed8c267ea58cfbf1ee7533c1be557523e3e04b431/_AC_1962.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, Installation view. <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d6a439a703df4a1cda3b161d4f3134a7f6f231b15fc046d067fdbbac6736bf96/_AC_2527.jpg" data-mid="222773317" border="0" src="https://freight.cargo.site/w/1000/i/d6a439a703df4a1cda3b161d4f3134a7f6f231b15fc046d067fdbbac6736bf96/_AC_2527.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b519a66d33e8948f5e50178dd53a6bcfd6ab0127370eb12466f94ef493391a4b/_AC_1975.jpg" data-mid="222773301" border="0" src="https://freight.cargo.site/w/1000/i/b519a66d33e8948f5e50178dd53a6bcfd6ab0127370eb12466f94ef493391a4b/_AC_1975.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/f9d6a351d9de82a5482dfb32bb1e6a1cfe4c16734f9cab5837b9e1b16de9ff17/Documentations-15.jpg" data-mid="222855817" border="0" src="https://freight.cargo.site/w/1000/i/f9d6a351d9de82a5482dfb32bb1e6a1cfe4c16734f9cab5837b9e1b16de9ff17/Documentations-15.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, Installation view. <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/5ffd4cbddb9650b65ba4e7e95e856cb082a98824b8f15e117ea2713ac4917957/_AC_2500.jpg" data-mid="222773316" border="0" src="https://freight.cargo.site/w/1000/i/5ffd4cbddb9650b65ba4e7e95e856cb082a98824b8f15e117ea2713ac4917957/_AC_2500.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/d56f27d623b94d57685cdc4ade1ed97c9e16cee05fa89bbbac8ef370e021dd0f/_AC_2152.jpg" data-mid="222773309" border="0" src="https://freight.cargo.site/w/1000/i/d56f27d623b94d57685cdc4ade1ed97c9e16cee05fa89bbbac8ef370e021dd0f/_AC_2152.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/da314e583bd0e029fa94f63d4f6ccd774b59c6babcec7cd97d64c9c4a0e9d87c/_AC_2188.jpg" data-mid="222773313" border="0" src="https://freight.cargo.site/w/1000/i/da314e583bd0e029fa94f63d4f6ccd774b59c6babcec7cd97d64c9c4a0e9d87c/_AC_2188.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, Installation view. <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/f3ae5901d5c067a3de387c4dd028a131f453d6d7cfcccda21d8412f125777929/Documentations.jpg" data-mid="222855821" border="0" src="https://freight.cargo.site/w/1000/i/f3ae5901d5c067a3de387c4dd028a131f453d6d7cfcccda21d8412f125777929/Documentations.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/012e061b65f51486b055c06d516fb594e21f0a3233fc8a1e2c77b1d867bce14d/_AC_2178.jpg" data-mid="222773312" border="0" src="https://freight.cargo.site/w/1000/i/012e061b65f51486b055c06d516fb594e21f0a3233fc8a1e2c77b1d867bce14d/_AC_2178.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/0373d476b60e3a606adf08745e5d6e30cd9578326b16bdd04b172f3b3c9d3258/Documentations-16.jpg" data-mid="222855818" border="0" src="https://freight.cargo.site/w/1000/i/0373d476b60e3a606adf08745e5d6e30cd9578326b16bdd04b172f3b3c9d3258/Documentations-16.jpg" /> Carrier Bags of Fiction, 2024, Hair ARI, installation view. The work reimagines narratives that might emerge in digital record keeping through speculating upon their continuous relationship to the material world. ‘All my Chameleon Signals’ explores the potential of digital scanning to enable a hybrid materialisation of bodied and disembodied information. By extension, this process also invites an examination of the kind of languages, grammars and poetics that potentially govern these hybrid forms.The work was partially developed in a space managed by the City of Melbourne’s CreativeSpaces program. <img width="1487" height="992" width_o="1487" height_o="992" data-src="https://freight.cargo.site/t/original/i/d30cbc78d13fd43fdd5f84679df23684c45d70fe860b78c9d64bfb459ffc9453/_AC_2039.jpg" data-mid="222856051" border="0" src="https://freight.cargo.site/w/1000/i/d30cbc78d13fd43fdd5f84679df23684c45d70fe860b78c9d64bfb459ffc9453/_AC_2039.jpg" /> <img width="1326" height="885" width_o="1326" height_o="885" data-src="https://freight.cargo.site/t/original/i/5d7f6ef5172b6041baddc72beda8a9ea284ff1024f5e8f707e790febf1801bfe/_AC_1920.jpg" data-mid="222856053" border="0" src="https://freight.cargo.site/w/1000/i/5d7f6ef5172b6041baddc72beda8a9ea284ff1024f5e8f707e790febf1801bfe/_AC_1920.jpg" /> ‘DataCosmics’, Fiona &amp; Sidney Myer Gallery, 2023, Installation view.&nbsp; To scale 3D-Nylon print of my brain, bronzecast, 3D prints, resin, ceramics, neon light, <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/154609b8f50a3954cf8457bf9da927199192123e2876668f23ca3cd3ba00c7bb/Bus-Projects---22.06.2021-17.07.2021-171.jpg" data-mid="112887431" border="0" src="https://freight.cargo.site/w/1000/i/154609b8f50a3954cf8457bf9da927199192123e2876668f23ca3cd3ba00c7bb/Bus-Projects---22.06.2021-17.07.2021-171.jpg" />Corinna Berndt, “All My Chameleon Signals”, interactive digital work of 3D scanned personal items, 2019 – ongoing.&nbsp; Bus Projects, 2021, photography by Christo Crocker. <img width="800" height="272" width_o="800" height_o="272" data-src="https://freight.cargo.site/t/original/i/bde273ae8e649bb96f3df0938de6eb6c81ff2ab14a70c1a51c7b1a9c4d7d20d9/usb.gif" data-mid="110689780" border="0" src="https://freight.cargo.site/w/800/i/bde273ae8e649bb96f3df0938de6eb6c81ff2ab14a70c1a51c7b1a9c4d7d20d9/usb.gif" /> The work was exhibited as part of my 2021 solo exhibition ‘Not Born Digital’ at Verge Gallery Sydney,&nbsp; ︎click here for Verge Gallery’s exhibition page ︎Corinna Berndt in conversation with Tesha Malott, Director of Verge Gallery, Sydney <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6eef75703ec841156b7e90bad3863ff216b60296395956cb4a3e89a09d32f0db/Verge2021JanSelects-0035.jpg" data-mid="110689847" border="0" src="https://freight.cargo.site/w/1000/i/6eef75703ec841156b7e90bad3863ff216b60296395956cb4a3e89a09d32f0db/Verge2021JanSelects-0035.jpg" /> Corinna Berndt, “Not Born digital”, installation view, 2021. Photography: Zan Wimberley <img width="2000" height="1331" width_o="2000" height_o="1331" data-src="https://freight.cargo.site/t/original/i/f138eb950c9bfd7ff6fc6fee76a7fedecf88c6af210b9197606045c08dd1af07/Verge2021JanSelects-0005.jpg" data-mid="110689778" border="0" src="https://freight.cargo.site/w/1000/i/f138eb950c9bfd7ff6fc6fee76a7fedecf88c6af210b9197606045c08dd1af07/Verge2021JanSelects-0005.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/1b4e70a59975eb2ede563ef12b1af24c68aef48ef69de282fe370b70d99798cc/Verge2021JanSelects-0042.jpg" data-mid="110691456" border="0" src="https://freight.cargo.site/w/1000/i/1b4e70a59975eb2ede563ef12b1af24c68aef48ef69de282fe370b70d99798cc/Verge2021JanSelects-0042.jpg" /> Corinna Berndt, “Not Born digital”, installation view, 2021. Photography: Zan Wimberley Corinna Berndt, “Not Born digital”, installation view, 2021. Photography: Zan Wimberley screen capture of “All My Chameleon Signals” (excerpt), interactive digital work of 3D scanned personal items, 2019 – ongoing. *Collaborative text, written with American poet and academic, Cynthia Arrieu-King, and an artificial neural network <img width="2000" height="1343" width_o="2000" height_o="1343" data-src="https://freight.cargo.site/t/original/i/5d412217a68807d851d333ce7277c8f17f05154d07c90ce9cc08d54c2ac579c9/Screen-Shot-2021-02-11-at-11.52.37-am.jpg" data-mid="110689859" border="0" src="https://freight.cargo.site/w/1000/i/5d412217a68807d851d333ce7277c8f17f05154d07c90ce9cc08d54c2ac579c9/Screen-Shot-2021-02-11-at-11.52.37-am.jpg" /> Corinna Berndt, “Streaming Data”, installation View, SomoS, Berlin, August 2019. Photo by Zack X Soltes <img width="2000" height="1397" width_o="2000" height_o="1397" data-src="https://freight.cargo.site/t/original/i/43c45814a49a0a6420ed177f921f8a886ef79a814ff733db7ee91d5517da9a11/Corinna-Berndt-wall1-no-bleed.jpg" data-mid="110690094" border="0" src="https://freight.cargo.site/w/1000/i/43c45814a49a0a6420ed177f921f8a886ef79a814ff733db7ee91d5517da9a11/Corinna-Berndt-wall1-no-bleed.jpg" /> Corinna Berndt, “Text(ure) Map”, digital collage, dimensions variable, 2020.&nbsp; <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/415fed2023bbc23b009cf1bef911489ed42a2629fa90251dde18c2a07e54118f/Verge2021JanSelects-0024.jpg" data-mid="110692970" border="0" src="https://freight.cargo.site/w/1000/i/415fed2023bbc23b009cf1bef911489ed42a2629fa90251dde18c2a07e54118f/Verge2021JanSelects-0024.jpg" /> Corinna Berndt, “Not Born digital”, installation view, 2021. Photography: Zan Wimberley <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/ad84b17ebfceb2aa46ac8ebe74717c2b7d0e699a517b6832318ce98bdc8d401b/cloud2.jpg" data-mid="110829028" border="0" src="https://freight.cargo.site/w/1000/i/ad84b17ebfceb2aa46ac8ebe74717c2b7d0e699a517b6832318ce98bdc8d401b/cloud2.jpg" /> <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/29b3266adba92587284426220b9c1267b7a13cf2a7a99de94682855b16fae8f1/cberndt-big-data-03.jpg" data-mid="110693340" border="0" src="https://freight.cargo.site/w/1000/i/29b3266adba92587284426220b9c1267b7a13cf2a7a99de94682855b16fae8f1/cberndt-big-data-03.jpg" /> Corinna Berndt, Big Data, digital video, 2019. <img width="8987" height="5925" width_o="8987" height_o="5925" data-src="https://freight.cargo.site/t/original/i/cfe39ae668bf3cc973eb12f05978a129a44fa4bdfb9baa1a833ac756d187bc0b/Verge2021JanSelects-0004.jpg" data-mid="110878988" border="0" src="https://freight.cargo.site/w/1000/i/cfe39ae668bf3cc973eb12f05978a129a44fa4bdfb9baa1a833ac756d187bc0b/Verge2021JanSelects-0004.jpg" /> Corinna Berndt, “Not Born digital”, installation view, 2021. Photography: Zan Wimberley <img width="2000" height="1112" width_o="2000" height_o="1112" data-src="https://freight.cargo.site/t/original/i/ce3937d70ba4e04259f37604098ab34bb1060e1ee0715372f34882493c96df02/corinna-berndt-promo_web.jpg" data-mid="110692461" border="0" src="https://freight.cargo.site/w/1000/i/ce3937d70ba4e04259f37604098ab34bb1060e1ee0715372f34882493c96df02/corinna-berndt-promo_web.jpg" /> <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6d7f03d52cbbc7a93408ebd4270f4442fc4bf270d26d8aded33a1d9d25bb138a/9.jpg" data-mid="110693344" border="0" src="https://freight.cargo.site/w/1000/i/6d7f03d52cbbc7a93408ebd4270f4442fc4bf270d26d8aded33a1d9d25bb138a/9.jpg" /> Corinna Berndt, “Digital collage all the photos found on my mobile phone”, dimensions variable, 2019.&nbsp; <img width="1336" height="2000" width_o="1336" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c0e67045e0c41730adb6549ee92d665c5de289894d822bc045266285e7be6ef2/Corinna_Berndt_Streaming_Date_Install_View_2019_Photo_Zach_Solten.jpg" data-mid="110689781" border="0" src="https://freight.cargo.site/w/1000/i/c0e67045e0c41730adb6549ee92d665c5de289894d822bc045266285e7be6ef2/Corinna_Berndt_Streaming_Date_Install_View_2019_Photo_Zach_Solten.jpg" /> Corinna Berndt, “Streaming Data”, installation View, SomoS, Berlin, August 2019. Photo by Zack X Soltes <img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/7ddeb6c38f94fda342b8aaf3bba252f9222d47563dba83155f0b5ba768ce435a/Corinna_Berndt_Installation_View_photo_Andrew_Curtis.jpg" data-mid="110878511" border="0" src="https://freight.cargo.site/w/1000/i/7ddeb6c38f94fda342b8aaf3bba252f9222d47563dba83155f0b5ba768ce435a/Corinna_Berndt_Installation_View_photo_Andrew_Curtis.jpg" /> Corinna Berndt, Promises of Cyborgs, installation view, VCA Art Space, Melbourne, &nbsp;2019. Photo: Andrew Curtis <img width="2000" height="1332" width_o="2000" height_o="1332" data-src="https://freight.cargo.site/t/original/i/266cd1ab0426599c697d178bf7023eba392e5523efc5ce07ca9aff4231e6958c/Corinna_Berndt_fossil_structures_2019_photo_Andrew_curtis.jpg" data-mid="110693348" border="0" src="https://freight.cargo.site/w/1000/i/266cd1ab0426599c697d178bf7023eba392e5523efc5ce07ca9aff4231e6958c/Corinna_Berndt_fossil_structures_2019_photo_Andrew_curtis.jpg" /> Corinna Berndt, Promises of Cyborgs, installation view, VCA Art Space, Melbourne, &nbsp;2019. Photo: Andrew Curtis ︎View work here Corinna Berndt, Jpg Fossils, 2021. Excerpt from a longer video which speaks to the idea of image/object/text relationships and everyday practices of naming.&nbsp; <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/07f95ccaf58975d7a431ff6421a281c52dc6a241ed0b895b965ae756f66d64e1/Berndt_Corinna-image03.jpg" data-mid="110693419" border="0" src="https://freight.cargo.site/w/1000/i/07f95ccaf58975d7a431ff6421a281c52dc6a241ed0b895b965ae756f66d64e1/Berndt_Corinna-image03.jpg" /> Corinna Berndt, Promises of Cyborgs, installation view, VCA Art Space, Melbourne, &nbsp;2019. Photo: Andrew Curtis <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/b025d0acac0010ce14cf4d2534b5bff3cabe370f6436185f4a25cd2b318a36f2/_AC_5616.jpg" data-mid="110877567" border="0" src="https://freight.cargo.site/w/1000/i/b025d0acac0010ce14cf4d2534b5bff3cabe370f6436185f4a25cd2b318a36f2/_AC_5616.jpg" /> Corinna Berndt, ‘Collision Level’, installation view, St Helliers St Gallery, 2019. Photo: Andrew Curtis <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/ed6ae1c9e08bc3c750c6bf985cbed8f14fbea50ecf3718664f36a520640395b3/_AC_5612.jpg" data-mid="110944739" border="0" src="https://freight.cargo.site/w/1000/i/ed6ae1c9e08bc3c750c6bf985cbed8f14fbea50ecf3718664f36a520640395b3/_AC_5612.jpg" /> Corinna Berndt, ‘Collision Level’, installation view, St Helliers St Gallery, 2019. Photo: Andrew Curtis <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f3dd50089cc8d765cdf7e8800576e314e83f36c4bcffa8c6485205aeb8ddec43/collision-level-install-shota.jpg" data-mid="110878401" border="0" src="https://freight.cargo.site/w/1000/i/f3dd50089cc8d765cdf7e8800576e314e83f36c4bcffa8c6485205aeb8ddec43/collision-level-install-shota.jpg" /> Corinna Berndt, ‘Collision Level’, installation view, St Helliers St Gallery, 2019. Photo: Andrew Curt Next ︎︎︎ ︎︎ https://corinnaberndt.net/collaborations Thu, 18 Feb 2021 10:59:31 +0000 corinna.berndt https://corinnaberndt.net/collaborations Corinna Berndt &amp; Mark Friedlander W/ Beth Arnold, Katie Lee, Tully Moore, Jake Preval, Brigit Ryan, Sarah Rudledge, Zara Sully, Joon Youn &amp; Siying Zhou In-House, In-Kind TCB Art Inc 28 Sept 2024—27 Oct 2024 IN-HOUSE, IN-KIND foregrounds and materialises the frequent practice of artists supporting each other. The exhibition plays with what it means to exchange objects, labour, time, knowledge, advice and in-kind services amongst a community of peers and friends. We wanted to create content that allows us to think about the contingent, and relational aspects of peer-networks and the often-quiet nature of in-kind support. <img width="1228" height="819" width_o="1228" height_o="819" data-src="https://freight.cargo.site/t/original/i/413973aecab5db9f2c028b77bef02ddb42e7420ff5ddb92c7e3380f92a750084/_AC_4270.jpg" data-mid="222918402" border="0" src="https://freight.cargo.site/w/1000/i/413973aecab5db9f2c028b77bef02ddb42e7420ff5ddb92c7e3380f92a750084/_AC_4270.jpg" />In-House, In-Kind, 2024, TCB INC, Installation view Works in the exhibition space reflect the diversity of co-contributing that can allow artworks to come into being; ranging from a talisman for safe-travels, to casting a potato for a punching bag. <img width="808" height="1212" width_o="808" height_o="1212" data-src="https://freight.cargo.site/t/original/i/c8e7918d1f7f56dc5f9c7aa3599c017394727c13d0ddf2693e0a223af138b824/_AC_4232.jpg" data-mid="222918396" border="0" src="https://freight.cargo.site/w/808/i/c8e7918d1f7f56dc5f9c7aa3599c017394727c13d0ddf2693e0a223af138b824/_AC_4232.jpg" /> In-House, In-Kind, 2024, TCB INC, Installation view <img width="1613" height="1076" width_o="1613" height_o="1076" data-src="https://freight.cargo.site/t/original/i/4c15b9f5da434f44cbdda499e444baac55d60d2189edfb74b6d10ad3155ef926/_AC_4319.jpg" data-mid="222918406" border="0" src="https://freight.cargo.site/w/1000/i/4c15b9f5da434f44cbdda499e444baac55d60d2189edfb74b6d10ad3155ef926/_AC_4319.jpg" /> In-House, In-Kind, 2024, TCB INC, Installation view <img width="1023" height="1535" width_o="1023" height_o="1535" data-src="https://freight.cargo.site/t/original/i/24371604c0591b3567852a8c55986ec51753199e0cb4ec4cebec66014d8c680a/_AC_4346.jpg" data-mid="222918410" border="0" src="https://freight.cargo.site/w/1000/i/24371604c0591b3567852a8c55986ec51753199e0cb4ec4cebec66014d8c680a/_AC_4346.jpg" /> In-House, In-Kind, 2024, TCB INC, Installation view <img width="1613" height="1076" width_o="1613" height_o="1076" data-src="https://freight.cargo.site/t/original/i/34d7a7147ed318004fdb8fd4f8c97fb01638892997e1f9be553e6bb40b9e85c1/_AC_4310.jpg" data-mid="222918405" border="0" src="https://freight.cargo.site/w/1000/i/34d7a7147ed318004fdb8fd4f8c97fb01638892997e1f9be553e6bb40b9e85c1/_AC_4310.jpg" /> In-House, In-Kind, 2024, TCB INC, Installation view <img width="981" height="653" width_o="981" height_o="653" data-src="https://freight.cargo.site/t/original/i/82bac47c97995b3037369a36f6531ba171f5230776184668998644fccbe582ec/_AC_4214.jpg" data-mid="222918392" border="0" src="https://freight.cargo.site/w/981/i/82bac47c97995b3037369a36f6531ba171f5230776184668998644fccbe582ec/_AC_4214.jpg" /> In-House, In-Kind, 2024, TCB INC, Installation view All my Chameleon Signals Interactive database of 3-D scanned personal objects. *Collaborative text, written with American poet and academic, Cynthia Arrieu-King, and an artificial neural network. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/51e67f409f6a708181f5e889df866cadd77ad911fd98d8e92f0cbc02890073f7/Verge2021JanSelects-0018.jpg" data-mid="110696942" border="0" src="https://freight.cargo.site/w/1000/i/51e67f409f6a708181f5e889df866cadd77ad911fd98d8e92f0cbc02890073f7/Verge2021JanSelects-0018.jpg" /> Corinna Berndt, “Not Born digital”, installation view, Verge Gallery, Sydney, 2021. Photography: Zan WimberleyThe project was shown as part of "Not Born Digital”, an exhibition reimagining these narratives that might emerge in digital record keeping through speculating upon their continuous relationship to the material world. "Not Born Digital” explores the potential of digital scanning to enable a hybrid materialisation of bodied and disembodied information. By extension, this process also invites an examination of the kind of languages, grammars and poetics that potentially govern these hybrid forms. “All My Chameleon Signals”, interactive website of 3D scanned personal items, 2019 – ongoing. <img width="2845" height="1600" width_o="2845" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2ce9e487022e4e7bd5e7c0c7d0bbe83844be8765747d9c1b14a12d48e42b05fe/all-my-chameleon-signals-01-2.jpg" data-mid="222918870" border="0" src="https://freight.cargo.site/w/1000/i/2ce9e487022e4e7bd5e7c0c7d0bbe83844be8765747d9c1b14a12d48e42b05fe/all-my-chameleon-signals-01-2.jpg" /> ︎View screen capture section of the work here ︎view text format here Travelling the Alpha Layer Youjia Lu, Kellie Wells, Corinna Berndt <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/174c8c00fc4bb1bf1d9009aeed3981891d90d5efd1d34bb5d4d606321129c5f3/1.Travelling-Through-Alpha-Space.jpg" data-mid="110696545" border="0" src="https://freight.cargo.site/w/1000/i/174c8c00fc4bb1bf1d9009aeed3981891d90d5efd1d34bb5d4d606321129c5f3/1.Travelling-Through-Alpha-Space.jpg" /> Youjia Lu, Kellie Wells, Corinna Berndt, Travelling the Alpha Space, George Paton Gallery, Parkville, 2016. Photo Youjia Lu Exhibition Dates:&nbsp;16 March - Sunday 15 April, 2018,&nbsp; Counihan Gallery, Brunswick,&nbsp; Travelling the Alpha Layer explored the digital image space through the practice of three video artists. The exhibition questioned how the digital image can be used effectively for communicating embodied experiences and possibilities for self-representation in video art.&nbsp; The videos in this exhibition evolved from frequent discussions on the potentials within the digital screen space for female-identifying artists who use their faces and bodies to critique contemporary visual culture. Travelling the Alpha Layer investigated whether the digital format can both hold and transform information and issues relating to the physical body, subjectivity, emotional experiences and contemporary concepts of identity. &nbsp; Operation Margarine Michael Ciavarella, Corinna Berndt <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5853e7c376065693c9a03b02291561b43c35faddca533e9c911b6592f940e3a2/operation-margarine.jpg" data-mid="110697337" border="0" src="https://freight.cargo.site/w/1000/i/5853e7c376065693c9a03b02291561b43c35faddca533e9c911b6592f940e3a2/operation-margarine.jpg" /> Corinna Berndt and Michael Ciavarella, Operation Margarine, installation view, Westspace, Melbourne, 2012. Exhibition Dates:&nbsp;27 Jul – 18 Aug 2012, West Space, Melbourne Operation Margarine explored the poetics and possibilities of collage and collaboration between two artists. For this exhibition, Michael Ciavarella and Corinna Berndt created two works separately, and several works collaboratively. All works were a response to each other’s artistic practice. <img width="400" height="601" width_o="400" height_o="601" data-src="https://freight.cargo.site/t/original/i/d1dfd0cdf1eb731a81f5f30a5b2b1ea1114fcfa1927852328e9f405a773a18ca/chocolate.jpg" data-mid="222918500" border="0" src="https://freight.cargo.site/w/400/i/d1dfd0cdf1eb731a81f5f30a5b2b1ea1114fcfa1927852328e9f405a773a18ca/chocolate.jpg" /> <img width="400" height="601" width_o="400" height_o="601" data-src="https://freight.cargo.site/t/original/i/f1f10d09f7334feae800abae4383ea2de0779aa31d77ab8414d803ecf06b1951/soap--porcelain--crystal.jpg" data-mid="222918502" border="0" src="https://freight.cargo.site/w/400/i/f1f10d09f7334feae800abae4383ea2de0779aa31d77ab8414d803ecf06b1951/soap--porcelain--crystal.jpg" /> <img width="400" height="601" width_o="400" height_o="601" data-src="https://freight.cargo.site/t/original/i/73dcafca63c876be471e0a8aac2c355478c07fce4f801975ff06e52cfdcd5334/resin--glass-plastic-plywood.jpg" data-mid="222918499" border="0" src="https://freight.cargo.site/w/400/i/73dcafca63c876be471e0a8aac2c355478c07fce4f801975ff06e52cfdcd5334/resin--glass-plastic-plywood.jpg" /> Like a science laboratory for artistic modes, Berndt and Ciavarella produced a body of work collaboratively and individually under a specific set of conditions. The artists intended these rules to highlight, test and define boundaries of play and randomness. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/94a09c962a878f62b4a3339de0f7ca701d31b47caefad056b07531eb219506d4/_O6Y9347_1.png" data-mid="222918528" border="0" src="https://freight.cargo.site/w/1000/i/94a09c962a878f62b4a3339de0f7ca701d31b47caefad056b07531eb219506d4/_O6Y9347_1.png" /> Curatorial Projects: Across Pieces of Sky Shraddha Borawake (India), Dongyan Chen (Singapore / China), Rochyne Delaney McNulty (England), Sophie Morrow (Australia), Ivetta Sunyoung Kang (Canada / South Korea), Marcia Vaitsman (Brazil) <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/63b36984e8d2d307ddcb3e987306ed41512e71c314ada1277744e1a2b7feb66d/Ivetta-Sunyoung-Kang_detail-72dpi.jpg" data-mid="110697205" border="0" src="https://freight.cargo.site/w/1000/i/63b36984e8d2d307ddcb3e987306ed41512e71c314ada1277744e1a2b7feb66d/Ivetta-Sunyoung-Kang_detail-72dpi.jpg" /> Ivetta Sunyoung Kang. From Body to Body to Bodies by Time Art and Culture, Canada Far-east Art Center, Montreal, Canada, 2020 <img width="1580" height="1054" width_o="1580" height_o="1054" data-src="https://freight.cargo.site/t/original/i/df7dfd7816647509533d98277bc2aca059800af8c9ea98932621da0c61b68672/_AC_8529.jpg" data-mid="222918642" border="0" src="https://freight.cargo.site/w/1000/i/df7dfd7816647509533d98277bc2aca059800af8c9ea98932621da0c61b68672/_AC_8529.jpg" />Exhibition Dates: 2 June – 26 June 2021, Trocadero Art Space, Gallery 2 <img width="1430" height="954" width_o="1430" height_o="954" data-src="https://freight.cargo.site/t/original/i/87446052f7520573cee0d4fd4c4d41ddcc0f20ba84893cb2cd9d45e58e506192/_AC_8468.jpg" data-mid="222918636" border="0" src="https://freight.cargo.site/w/1000/i/87446052f7520573cee0d4fd4c4d41ddcc0f20ba84893cb2cd9d45e58e506192/_AC_8468.jpg" /> <img width="1076" height="1613" width_o="1076" height_o="1613" data-src="https://freight.cargo.site/t/original/i/128b32482c9b2703d6d122b86e853ef7acb9459f5854b825f93fdc8a3aee20d7/_AC_8452.jpg" data-mid="222918635" border="0" src="https://freight.cargo.site/w/1000/i/128b32482c9b2703d6d122b86e853ef7acb9459f5854b825f93fdc8a3aee20d7/_AC_8452.jpg" /> <img width="1383" height="921" width_o="1383" height_o="921" data-src="https://freight.cargo.site/t/original/i/0ef83192d601a64dad18fb1dc70668d2661bd265c6674ab1658b6d44938d5712/_AC_8495.jpg" data-mid="222918639" border="0" src="https://freight.cargo.site/w/1000/i/0ef83192d601a64dad18fb1dc70668d2661bd265c6674ab1658b6d44938d5712/_AC_8495.jpg" /> <img width="1606" height="1070" width_o="1606" height_o="1070" data-src="https://freight.cargo.site/t/original/i/cf6d9bf0ae1ab9b9290f643e0493dac244ed0168ea54f999f5b7a817dbfb22af/_AC_8477.jpg" data-mid="222918637" border="0" src="https://freight.cargo.site/w/1000/i/cf6d9bf0ae1ab9b9290f643e0493dac244ed0168ea54f999f5b7a817dbfb22af/_AC_8477.jpg" /> Across Pieces of Sky brings together the discursive practices of five international and two local artists who met in 2019 during an artist residency in Berlin. The works in the exhibition contemplate ideas of friendship, language, social connectedness and our relationship to the environment in times of uncertainty. Featuring several videos, a collection of voice-recordings, and a participatory piece, the artists invite the audience to reflect upon the various relational networks that exist between gestures, people, and surrounding ecosystems. Curated by Corinna Berndt Across the HazeCynthia Arrieu-King (USA), Corinna Berndt (Australia / Germany), Shraddha Borawake (India), Dongyan Chen (Singapore / China), Rochyne Delaney McNulty (England), Sophie Morrow (Australia), Ivetta Sunyoung Kang (Canada / South Korea), Marcia Vaitsman (Brazil). <img width="640" height="360" width_o="640" height_o="360" data-src="https://freight.cargo.site/t/original/i/101acfe23f018df76bdb0c356d381a5a2198f3352510a4e89b2e2c85c3704a2c/Across_the_Haze_promo_low_res-640x360.jpg" data-mid="110698817" border="0" src="https://freight.cargo.site/w/640/i/101acfe23f018df76bdb0c356d381a5a2198f3352510a4e89b2e2c85c3704a2c/Across_the_Haze_promo_low_res-640x360.jpg" /> Shraddha Borawake, This Beautiful Venus Trap Earth Body, with Eline Bochem, 2019, video still (cropped) Exhibition Dates: 18 March – 4 April 2020 (cancelled due to COVID19 lockdown), Trocadero Art Space, Project Space, Across the Haze brings together the discursive practices of six international and two local artists, who met last year during a residency in Berlin. Together, the group grapples with current global events while contemplating the role of connectedness in the midst of uncertainty. The works include a fictional broadcast by a group of friends in China, produced while spending Chinese New Year in quarantine; a poem that recounts fleeting moments of communal living while interacting with a CAPTCHA test; a video recording of a Fluxus performance, in which two female artists build shrines with curated garbage; an instructional hand massage based on a Korean children’s game to alleviate anxiety; a WhatsApp conversation between two friends on different continents; a pretend video game in which the end of the world could be averted by collective action. <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6485c0d9c949d29e904588473fd839d4567d5072a1998ebad50eec0f81209efb/TrodocaderoShowMarch2020_Jacintakeefephotography-9.jpg" data-mid="222919888" border="0" src="https://freight.cargo.site/w/1000/i/6485c0d9c949d29e904588473fd839d4567d5072a1998ebad50eec0f81209efb/TrodocaderoShowMarch2020_Jacintakeefephotography-9.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a9cba2aa727a65eb518cab8be147d1c7fed9a772b2e1b83f7898031ca6a31b8f/TrodocaderoShowMarch2020_Jacintakeefephotography-12.jpg" data-mid="222919906" border="0" src="https://freight.cargo.site/w/1000/i/a9cba2aa727a65eb518cab8be147d1c7fed9a772b2e1b83f7898031ca6a31b8f/TrodocaderoShowMarch2020_Jacintakeefephotography-12.jpg" /> <img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/91099e9824af95cdf5a1e2287539a4d8507dc432f10b9b5b6e81d14cb0be8033/TrodocaderoShowMarch2020_Jacintakeefephotography-11.jpg" data-mid="222919896" border="0" src="https://freight.cargo.site/w/1000/i/91099e9824af95cdf5a1e2287539a4d8507dc432f10b9b5b6e81d14cb0be8033/TrodocaderoShowMarch2020_Jacintakeefephotography-11.jpg" /> ︎view exhibition catalogue here Podcast episode on the project via Three Bellybuttons︎Listen here Three Bellybuttons is a podcast blog that is produced and managed by Melbourne/Narrm artist, Siying Zhou. In each episode, Siying makes a conversation with the invited guests about current art exhibitions and events in Australia and beyond COMMUNITIY OUTREACH AND ENGAGEMENT:Project design and facilitation of TROC Peer-to-Peer online&nbsp;mentorship&nbsp;program for emerging artists, Tracadero Art Space, 2021. &nbsp;This six-months online mentorship program created paid opportunities for emerging artists and arts educators within a peer-to-peer setting, fostering professional development, networking, mentorship and skill sharing. The program aimed to address and improve practice, equity and access in the arts. It prioritised artists who were currently not receiving institutional support or training. I co-facilitated the program with creative producer, Stacy Jewell. The program delivery was made possible by Trocadero Art Space’s brilliant and dedicated committee members and Creative Victoria Arts Grant Funding. Program ParticipantsAugustine Ang, Avrille Burrows, Callum Watson, Candy Ng, Celine Dore, Eme, Eric Jong, Evangeline Clark, Fiona Knight, Indra Liusuari, Jahan Rezakhanlou, Jas Streten, Jason Harris, Jessica Tanto, John Elcatsha, Kelly Altair, Mara Braun, Noel Maghathe, Prudence Illingworth, Silvi Kadillari. Program MentorsAzza Zein, Caoife Power, Daniel Marks, Louisa Bufardeci, Siying Zhou, Youjia Lu, Steven Rhall, Zara Sully Next ︎︎︎ ︎︎ https://corinnaberndt.net/writing Tue, 08 Jun 2021 04:07:08 +0000 corinna.berndt https://corinnaberndt.net/writing Writing <img width="1336" height="2000" width_o="1336" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c0e67045e0c41730adb6549ee92d665c5de289894d822bc045266285e7be6ef2/Corinna_Berndt_Streaming_Date_Install_View_2019_Photo_Zach_Solten.jpg" data-mid="110695564" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/c0e67045e0c41730adb6549ee92d665c5de289894d822bc045266285e7be6ef2/Corinna_Berndt_Streaming_Date_Install_View_2019_Photo_Zach_Solten.jpg" /> Berndt, C, Bracewell R, Murmurations from the Deep, Hidden Door Journal, Volume 1, ed Gittus L, Walker S, Jones S, 2025 Berndt, C. Tender Acts of Transference: A Review of Ivetta Sunyoung Kang’s Tenderhands&nbsp;Project, 2022.Translated into Korean, Leftie Press, 2024 Berndt, C. [@] un Magazine 17.2, ed Sayed B, Weston G, p 74, 2023︎read here Berndt, C. Tina Douglas:Hypha-e, 2023. Exhibition essay. ︎read here Berndt, C. Tender Acts of Transference: A Review of Ivetta Sunyoung Kang’s&nbsp;Tenderhands Project, 2022. ︎read here Berndt, C. Zoextropy The Posthuman Beauty, Un-extended reviews, Un Projects, 2019. ︎read here Berndt, C. Your Body in Red Ruptures the Loop, exhibition text for Tess Landell, 2018. ︎read here Berndt, C. A New Kind of Utopia, Island Island, Bus Projects, 2019 (digital poetry) ︎read here Berndt, C. Streaming Data is the Ultimate Trust Exercise with the Moon, Vibe. Southbank Arts Review, 2019, p 11-14 Next ︎︎︎ ︎︎